"'Odd's-my-life! what's this?" exclaimed the carpenter, looking at the superscription of one of them. Before she knew what had happened, Gosse turned suddenly, and vaulted one of the pews into the gap behind. Daily contact with actual human beings all the more inclined her toward the imaginative. Over the mantel, set into an ornately carved panel with fluted columns at each end, was a portrait of a man on horseback. The next morning came a compact letter from her father. But he held the smile until she turned away from the curtain. ‘But I find you excessively rude, Gérard.
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