She might even forgive him. “I heard the other day that she’d been taken in by some cad of a fellow who was cutting a great dash in Paris, personating Meysey Hill, the great railway man. Then Sheila noticed the stains. Jonathan, in all probability, knows nothing of these packets; and their production may serve to intimidate him. ‘Why do you think I told you about the portrait? I’d not seen it, of course, but I’d seen Miss Mary just before she got married, which is when it was painted. Can’t ask the gent to go abroad and condone a bigamy. There were no mourners. Oh God! pardon me. In consequence of the encouragement thus offered to dishonesty, and the security afforded to crime, this quarter of the Borough of Southwark was accounted (at the period of our narrative) the grand receptacle of the superfluous villainy of the metropolis.
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